W. E. B. Du Bois

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    John Brown

    W. E. B. Du Bois

    Few figures are more seminal in the abolitionist movement in America than John Brown. His firebrand approach to the movement arose out of his religiously inspired and deep-seated belief that slavery was not only morally unjust but that its removal from American society could only be achieved through armed insurrection. Following his capture in 1859 during an unsuccessful raid on the federal armory at Harpers Ferry and his subsequent hanging he became an electrifying and symbolical figure for the abolitionist movement. Many historians argue that the incident at Harpers Ferry was the breaking point between pro and anti-slavery forces that led to the secession of the southern states and the subsequent Civil War. Prominent African American W. E. B. Du Bois chronicles the life of John Brown in this 1909 biography. In the words of Du Bois, John Brown was «a man whose leadership lay not in his office, wealth or influence, but in the white flame of his utter devotion to an ideal.»

    The Souls of Black Folk (with an Introduction by Saunders Redding)

    W. E. B. Du Bois

    One of the most widely read and influential works in African American literature, “The Souls of Black Folk” is W. E. B. Du Bois’s classic collection of essays in which he details the state of racism and black culture at the beginning of the 20th century. First published in 1903, “The Souls of Black Folk” takes the reader on a history lesson of race relations from the emancipation proclamation to the early part of the 20th century. Principal to Du Bois’s exposition is the idea that African Americans live in a state of “double-consciousness” meaning that they have a “sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.” A founding member of the NAACP, Du Bois helped to lay the foundation for the debate that would become the civil rights movement. As Du Bois’s biographer, Manning Marable, observes, “Few books make history and fewer still become foundational texts for the movements and struggles of an entire people. ‘The Souls of Black Folk’ occupies this rare position.” This edition includes an introduction by Saunders Redding.

    The Souls of Black Folk

    W. E. B. Du Bois

    This landmark book is a founding work in the literature of black protest. W. E. B. Du Bois (1868–1963) played a key role in developing the strategy and program that dominated early 20th-century black protest in America. In this collection of essays, first published together in 1903, he eloquently affirms that it is beneath the dignity of a human being to beg for those rights that belong inherently to all mankind. He also charges that the strategy of accommodation to white supremacy advanced by Booker T. Washington, then the most influential black leader in America, would only serve to perpetuate black oppression.Publication of The Souls of Black Folk was a dramatic event that helped to polarize black leaders into two groups: the more conservative followers of Washington and the more radical supporters of aggressive protest. Its influence cannot be overstated. It is essential reading for everyone interested in African-American history and the struggle for civil rights in America.

    Darkwater

    W. E. B. Du Bois

    The distinguished American civil rights leader, W. E. B. Du Bois first published these fiery essays, sketches, and poems individually nearly 80 years ago in the Atlantic, the Journal of Race Development, and other periodicals. Reflecting the author's ideas as a politician, historian, and artist, this volume has long moved and inspired readers with its militant cry for social, political, and economic reforms for black Americans. Essential reading for students of African-American history

    Darkwater (Voices from Within the Veil)

    W. E. B. Du Bois

    William Edward Burghardt Du Bois grew up in a poor but loving home in the small, rural town of Great Barrington, Massachusetts. He graduated from Fisk University, and from there attended Harvard to earn his doctorate in history. Throughout his life he acted as a teacher, writer, editor and activist, contributing immensely to the African American cause and cofounding the National Association for the Advancement of Colored People (NAACP). Du Bois wrote three autobiographies, the first of which, «Darkwater: Voices From Within the Veil», examined racism around the world. In this work, Du Bois hoped to lift the metaphorical veil between white and black readers to reveal the distorted viewpoints of each side. It contains a series of essays, each followed by a short fictional story or poem, which address issues of gender oppression, the idea of whiteness, and democracy along race, class and gender lines.

    The Negro

    W. E. B. Du Bois

    Africa is at once the most romantic and the most tragic of continents. So begins The Negro , the first comprehensive history of African and African-derived people, from their early cultures through the period of the slave trade and into the twentieth century. Originally published in 1915, the book was acclaimed in its time, widely read, and deeply influential in both the white and black communities, yet this beautifully written history is virtually unknown today. As a wellspring of critical studies of Africa and African Americans, it directly and indirectly influenced and inspired the works of scholars such as C. L. R. James, Eric Williams, Herbert Aptheker, Eric Foner, Kwame Anthony Appiah, and Henry Louis Gates, Jr. One of the most important books on Africa ever written, it remains fresh, dynamic, and insightful to this day. The Negro is compelling on many levels. By comparing W. E. B. Du Bois's analysis with subsequent scholarship, Robert Gregg demonstrates in his afterword that The Negro was well ahead of its time: Du Bois's view of slavery prefigures both paternalistic perspectives and the materialist view that the system was part of the capitalist mode of production. On black contributions to the Civil War and to the emancipation of slaves, historians have yet to acknowledge all that Du Bois delineated. In his discussion of Reconstruction, Du Bois preempts much later historiography. His identification of segregation as an issue of class rather than race is almost forty years ahead of C. Vann Woodward's similar thesis. As to the matter of race, Du Bois is clear that the concept is a social construct having no foundation in biology. Intellectually and historically prescient, Du Bois assumed globalization as a matter of course, so that his definition of the color line in The Negro links all colonized peoples, not just people of African descent. With the resolution of the Cold War and the ascendancy of the global market, Du Bois's sweeping vision of Africans and the diaspora seems more relevant now than at any time in the past hundred years.

    The Quest of the Silver Fleece

    W. E. B. Du Bois

    Set in Alabama and Washington, D.C., in the early part of the twentieth century, W. E. B. Du Bois's first novel weaves the themes of racial equality and understanding through the stark reality of prejudice and bias. Originally published in 1911 and conceived immediately after The Souls of Black Folk , Du Bois turned to fiction to carry his message to a popular audience who were unfamiliar with his nonfiction works. Du Bois addresses the fact that, despite the legal emancipation of African Americans, the instruments of oppression, in both the economy and government, remained in good working order. At the time he was writing, powerful white industrialists controlled the cotton industry, the «silver fleece» that depended, as it did during slavery, on the physical labor of African Americans. White Americans also controlled local and national government. In the novel, Blessed «Bles» Alwyn, a young man seeking formal education to improve himself, is captivated by Zora, a vivacious, independent woman who lives outside society in a mysterious swamp. Faced with shocking events in Zora's past and ambivalence about how a black man should integrate into American society, Bles pursues his goals and ends up in Washington to assist on a senator's campaign. While in the city, he meets successful African Americans—and falls in love—but he ultimately recoils from the hypocrisies they must endure in order to be accepted in society. Instead, he is compelled to return to Alabama and Zora, where he must face his greatest challenges and fears. With its frank and clear language, The Quest of the Silver Fleece is a remarkable portrait of racial prejudice at the turn of the twentieth century. Through the characters, Du Bois demonstrates the efficacy of self-sufficiency for those who face discrimination while championing the benefits of strength in diversity to American society as a whole.

    The Philadelphia Negro

    W. E. B. Du Bois

    In 1897 the promising young sociologist William Edward Burghardt Du Bois (1868-1963) was given a temporary post as Assistant in Sociology at the University of Pennsylvania in order to conduct a systematic investigation of social conditions in the seventh ward of Philadelphia. The product of those studies was the first great empirical book on the Negro in American society. More than one hundred years after its original publication by the University of Pennsylvania Press, The Philadelphia Negro remains a classic work. It is the first, and perhaps still the finest, example of engaged sociological scholarship—the kind of work that, in contemplating social reality, helps to change it. In his introduction, Elijah Anderson examines how the neighborhood studied by Du Bois has changed over the years and compares the status of blacks today with their status when the book was initially published.

    Darkwater

    W. E. B. Du Bois

    "Between the sterner flights of logic, I have sought to set some little alightings of what may be poetry. They are tributes to Beauty, unworthy to stand alone; yet perversely, in my mind, now at the end, I know not whether I mean the Thought for the Fancy—or the Fancy for the Thought, or why the book trails off to playing, rather than standing strong on unanswering fact. But this is alway—is it not?—the Riddle of Life." Contents: Credo The Shadow of Year A Litany at Atlanta The Souls of White Folk The Riddle of the Sphinx The Hands of Ethiopia The Princess of the Hither Isles Of Work and Wealth The Second Coming "The Servant in the House" Jesus Christ in Texas Of the Ruling of Men The Call The Damnation of Women Children of the Moon The Immortal Child Almighty Death Of Beauty and Death The Prayers of God The Comet A Hymn to the Peoples


    Essays

    W. E. B. Du Bois

    e-artnow presents to you this meticulously edited collection of W. E. B. Du Bois' essays, formatted to the highest digital standards and adjusted for readability on all devices. Contents: A Negro Schoolmaster in the New South Of the Training of Black Men The Talented Tenth The Conservation of Races The Economic Revolution in the South Religion in the South Strivings of the Negro People The Black North: A Social Study