Where racism and sexism meet—an understanding of anti-Black misogyny When Moya Bailey first coined the term misogynoir , she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central’s The Daily Show and CNN’s Cuomo Prime Time . In Misogynoir Transformed , Bailey delves into her groundbreaking concept, highlighting Black women’s digital resistance to anti-Black misogyny on YouTube, Facebook, Tumblr, and other platforms. At a time when Black women are depicted as more ugly, deficient, hypersexual, and unhealthy than their non-Black counterparts, Bailey explores how Black women have bravely used social-media platforms to confront misogynoir in a number of courageous—and, most importantly, effective—ways. Focusing on queer and trans Black women, she shows us the importance of carving out digital spaces, where communities are built around queer Black webshows and hashtags like #GirlsLikeUs. Bailey shows how Black women actively reimagine the world by engaging in powerful forms of digital resistance at a time when anti-Black misogyny is thriving on social media. A groundbreaking work, Misogynoir Transformed highlights Black women’s remarkable efforts to disrupt mainstream narratives, subvert negative stereotypes, and reclaim their lives.
Choice Outstanding Academic Title of 2016 Rural queer experience is often hidden or ignored, and presumed to be alienating, lacking, and incomplete without connections to a gay culture that exists in an urban elsewhere. Queering the Countryside offers the first comprehensive look at queer desires found in rural America from a genuinely multi-disciplinary perspective. This collection of original essays confronts the assumption that queer desires depend upon urban life for meaning. By considering rural queer life, the contributors challenge readers to explore queer experiences in ways that give greater context and texture to modern practices of identity formation. The book’s focus on understudied rural spaces throws into relief the overemphasis of urban locations and structures in the current political and theoretical work on queer sexualities and genders. Queering the Countryside highlights the need to rethink notions of “the closet” and “coming out” and the characterizations of non-urban sexualities and genders as “isolated” and in need of “outreach.” Contributors focus on a range of topics—some obvious, some delightfully unexpected—from the legacy of Matthew Shepard, to how heterosexuality is reproduced at the 4-H Club, to a look at sexual encounters at a truck stop, to a queer reading of TheWizard of Oz. A journey into an unexplored slice of life in rural America, Queering the Countryside offers a unique perspective on queer experience in the modern United States and Canada.
A man and woman are in an open relationship. They have agreed that having sexual partners outside of their relationship is permissible. One night, when her partner is in another city, the woman has sex with the man’s best friend. What does this mean for their relationship? More importantly, why is there such a strong cultural taboo against this kind of triangulation and what does it reveal about the social organization of gender and sexuality? In Beyond Monogamy, Mimi Schippers asks these and other questions to explore compulsory monogamy as a central feature of sexual normalcy. Schippers argues that compulsory monogamy promotes the monogamous couple as the only legitimate, natural, or desirable relationship form in ways that support and legitimize gender, race, and sexual inequalities. Through an investigation of sexual interactions and relationship forms that include more than two people, from polyamory, to threesomes, to the complexity of the ‘down-low,’ Schippers explores the queer, feminist, and anti-racist potential of non-dyadic sex and relationships. A serious look at the intersections of society and sexuality, Beyond Monogamy takes the reader on a compelling and accessible journey through compulsory monogamy, polyamory, and polyqueer sex and relationships.
From Gleeto gay marriage, from lesbian senators to out gay Marines, we have undoubtedlyexperienced a seismic shift in attitudes about gays in American politics andculture. Our reigning national story isthat a new era of rainbow acceptance is at hand. But dig a bit deeper, and thisseemingly brave new gay world is disappointing. For all of the undeniable changes,the plea for tolerance has sabotaged the full integration of gays into Americanlife. Same-sex marriage is unrecognized and unpopular in the vast majority ofstates, hate crimes proliferate, and even in the much vaunted “gay friendly”world of Hollywood and celebrity culture, precious few stars are openly gay. In TheTolerance Trap, Suzanna Walterstakes on received wisdom about gay identities and gay rights, arguing that weare not “almost there,” but on thecontrary have settled for a watered-down goal of tolerance and acceptancerather than a robust claim to full civil rights. After all, we tolerate unpleasant realities: medicinewith strong side effects, a long commute, an annoying relative. Drawing on avast array of sources and sharing her own personal journey, Walters shows howthe low bar of tolerance demeans rather than ennobles both gays and straightsalike. Her fascinating examination covers the gains in political inclusion andthe persistence of anti-gay laws, the easy-out sexual freedom of queer youthand the suicides and murders of those in decidedly intolerant environments. Shechallenges both “born that way” storylines that root civil rights in biology,and “god made me that way” arguments that similarly situate sexuality as innateand impervious to decisions we make to shape it. A sharp and provocative cultural critique, thisbook deftly argues that a too-soon declaration of victory short-circuits fullequality and deprives us all of the transformative possibilities of fullintegration. Tolerance is not the endgoal, but a dead end. In The ToleranceTrap, Walters presents a complicated snapshot of a world-shifting moment inAmerican history—one that is both a wake-up call and a call to arms for anyoneseeking true equality.
Winner of the 2010 Distinguished Book Award from the American Sociological Association, Sociology of Sexualities Section </p Winner of the 2010 Distinguished Book Award in Latino Studies Honorable Mention from the Latin American Studies Association The Sexuality of Migration provides an innovative study of the experiences of Mexican men who have same sex with men and who have migrated to the United States.Until recently, immigration scholars have left out the experiences of gays and lesbians. In fact, the topic of sexuality has only recently been addressed in the literature on immigration. The Sexuality of Migration makes significant connections among sexuality, state institutions, and global economic relations. Cantú; situates his analysis within the history of Mexican immigration and offers a broad understanding of diverse migratory experiences ranging from recent gay asylum seekers to an assessment of gay tourism in Mexico. Cantú uses a variety of methods including archival research, interviews, and ethnographic research to explore the range of experiences of Mexican men who have sex with men and the political economy of sexuality and immigration. His primary research site is the greater Los Angeles area, where he interviewed many immigrant men and participated in organizations and community activities alongside his informants.Sure to fill gaps in the field, The Sexuality of Migration simultaneously complicates a fixed notion of sexual identity and explores the complex factors that influence immigration and migration experiences.
Choice's Outstanding Academic Title list for 2013 In today’s schools, kids bullying kids is not an occasional occurrence but rather an everyday reality where children learn early that being sensitive, respectful, and kind earns them no respect. Jessie Klein makes the provocative argument that the rise of school shootings across America, and childhood aggression more broadly, are the consequences of a society that actually promotes aggressive and competitive behavior. The Bully Society is a call to reclaim America’s schools from the vicious cycle of aggression that threatens our children and our society at large. Heartbreaking interviews illuminate how both boys and girls obtain status by acting “masculine”—displaying aggression at one another’s expense as both students and adults police one another to uphold gender stereotypes. Klein shows that the aggressive ritual of gender policing in American culture creates emotional damage that perpetuates violence through revenge, and that this cycle is the main cause of not only the many school shootings that have shocked America, but also related problems in schools, manifesting in high rates of suicide, depression, anxiety, eating disorders, self-cutting, truancy, and substance abuse. After two decades working in schools as a school social worker and professor, Klein proposes ways to transcend these destructive trends—transforming school bully societies into compassionate communities.
In Strip Club , Kim Price‒Glynn takes us behind the scenes at a rundown club where women strip out of economic need, a place where strippers’ stories are not glamorous or liberating, but emotionally demanding and physically exhausting. Strip Club reveals the intimate working lives of not just the women up on stage, but also the patrons and other workers who make the place run: the owner‒manager, bartenders, dejays, doormen, bouncers, housemoms, and cocktail waitresses. Price‒Glynn spent fourteen months at The Lion’s Den working as a cocktail waitress, and her uncommonly deep access reveals a conflict‒ridden workplace, similar to any other workplace, one where gender inequalities are reproduced through the everyday interactions of customers and workers. Taking a novel approach to this controversial and often misunderstood industry, Price‒Glynn draws a fascinating portrait of life and work inside the strip club.
2007 Choice Outstanding Academic Title Winner of the Passing the Torch Award from the Center for Lesbian and Gay Studies It has been called sperm, semen, seed, cum, jizz, spunk, gentlemen's relish, and splooge. But however the “tacky, opaque liquid that comes out of the penis” is described, the very act of defining “sperm” and “semen” depends on your point of view. For Lisa Jean Moore, how sperm comes to be known is based on who defines it (a scientist vs. a defense witness, for example), under what social circumstances it is found (a doctor’s office vs. a crime scene), and for what purposes it will be used (in vitro fertilization vs. DNA analysis). Examining semen historically, medically, and culturally, Sperm Counts is a penetrating exploration of its meaning and power.Using a “;follow that sperm” approach, Moore shows how representations of sperm and semen are always in flux, tracing their twisting journeys from male reproductive glands to headline news stories and presidential impeachment trials. Much like the fluid of semen itself can leak onto fabrics and into bodies, its meanings seep into our consciousness over time. Moore’s analytic lens yields intriguing observations of how sperm is “spent” and “reabsorbed” as it spurts, swims, and careens through penises, vaginas, test tubes, labs, families, cultures, and politics.Drawn from fifteen years of research, Sperm Counts examines historical and scientific documents, children's “facts of life” books, pornography, the Internet, forensic transcripts and sex worker narratives to explain how semen got so complicated. Among other things, understanding how we produce, represent, deploy and institutionalize semen-biomedically, socially and culturally-provides valuable new perspectives on the changing social position of men and the evolving meanings of masculinity. Ultimately, as Moore reveals, sperm is intimately involved in not only the physical reproduction of males and females, but in how we come to understand ourselves as men and women.
Winner of the 2009 Ruth Benedict Prize for Outstanding Monograph from the Society of Lesbian and Gay Anthropologists Winner of the 2010 Distinguished Book Award from the American Sociological Association, Sociology of Sexualities Section Winner of the 2010 Congress Inaugural Qualitative Inquiry Book Award Honorable Mention From Wal-Mart drag parties to renegade Homemaker’s Clubs, Out in the Country offers an unprecedented contemporary account of the lives of today’s rural queer youth. Mary L. Gray maps out the experiences of young people living in small towns across rural Kentucky and along its desolate Appalachian borders, providing a fascinating and often surprising look at the contours of gay life beyond the big city. Gray illustrates that, against a backdrop of an increasingly impoverished and privatized rural America, LGBT youth and their allies visibly—and often vibrantly—work the boundaries of the public spaces available to them, whether in their high schools, public libraries, town hall meetings, churches, or through websites. This important book shows that, in addition to the spaces of Main Street, rural LGBT youth explore and carve out online spaces to fashion their emerging queer identities. Their triumphs and travails defy clear distinctions often drawn between online and offline experiences of identity, fundamentally redefining our understanding of the term ‘queer visibility’ and its political stakes. Gray combines ethnographic insight with incisive cultural critique, engaging with some of the biggest issues facing both queer studies and media scholarship. Out in the Country is a timely and groundbreaking study of sexuality and gender, new media, youth culture, and the meaning of identity and social movements in a digital age.
To be fat in a thin-obsessed gay culturecan be difficult. Despite affectionate in-group monikers for big gay men–chubs,bears, cubs–the anti-fat stigma that persists in American culture at largestill haunts these individuals who often exist at the margins of gaycommunities. In Fat Gay Men, JasonWhitesel delves into the world of Girth & Mirth, a nationally known socialclub dedicated to big gay men, illuminating the ways in which these men formidentities and community in the face of adversity. In existence for over fortyyears, the club has long been a refuge and ‘safe space’ for such men. Both a partial insider as a gay man and anoutsider to Girth & Mirth, Whitesel offers an insider’s critique of the gaymovement, questioning whether the social consequences of the failure to beheight-weight proportionate should be so extreme in the gay community. This book documents performances at club events and examines howparticipants use allusion and campy-queer behavior to reconfigure and reclaimtheir sullied body images, focusing on the numerous tensions of marginalizationand dignity that big gay men experience and how they negotiate these tensionsvia their membership to a size-positive group. Based on ethnographic interviewsand in-depth field notes from more than 100 events at bar nights, caféklatches, restaurants, potlucks, holiday bashes, pool parties, movie nights,and weekend retreats, the book explores the woundedness that comes from beingrelegated to an inferior position in gay hierarchies, and yet celebrates howsome gay men can reposition the shame of fat stigma through carnival, camp, andplay. A compelling and rich narrative, FatGay Men provides a rare glimpse into an unexplored dimension of weight andbody image in American culture.