Stories by Priscila Uppal

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    Wind Chimes

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “Wind Chimes” was originally published in <i>The Windsor Review</i>.

    Vertigo

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “Vertigo” was originally published in <i>The Exile Book of Canadian Sports Fiction</i> and <i>Exile</i> magazine.

    Three Days Left

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “Three Days Left” was originally published in <i>The Fiddlehead</i> and was nominated for the Journey Prize.

    The Still Body Is the Perfect Body

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “The Still Body is the Perfect Body” was originally published in <i>Smoke</i>.

    Sleepwalking

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “Sleepwalking” was originally published in <i>Exile</i> and was nominated for the Journey Prize.

    Recipes for Dirty Laundry

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “Recipes for Dirty Laundry” was originally published in the TOK anthology <i>Writing the New Toronto</i>.

    Mycosis

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “Mycosis” was published in <i>Pagitica</i> and nominated for the Journey Prize.

    The Man Who Loved Cats

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “The Man Who Loved Cats” was originally published in <i>Pottersfield Portfolio</i> and a TSAR anthology.

    The Lilies

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal’s characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of Cover Before Striking each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    “The Lilies” was originally published in <i>Humber Literary Review</i>.

    Cover Before Striking

    Priscila Uppal

    This short story is taken from the collection <i>Cover Before Striking</i>. The most common phrase in print is “cover before striking,” a warning to those about to innocently strike a match to be careful not to burn their fingers. Uppal's characters in <i>Cover Before Striking</i> are all people pushing their lives to new levels of intensity, danger, or passion as they test their limits and those of the world. Implacable and just a little unhinged, the stories of <i>Cover Before Striking</i> each move toward that moment of contact when the sparks begin to fly, when destruction and beauty seem to blur together. With this collection, Priscila Uppal offers the literary equivalent of playing with fire. <br/> <br/>
    This story was winner of the Vanderbilt/Exile Short Story Prize 2013.