The Cutting Edge: Lesbian Life and Literature Series
Скачать книги из серии The Cutting Edge: Lesbian Life and Literature SeriesThe Angel and the Perverts
Set in the lesbian and gay circles of Paris in the 1920s, The Angel and the Perverts tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference. As an adult, s/he lives a double life as Marion/Mario, passing undetected as a lesbian in the literary salons of the times, and as a gay man in the cocaine dens made famous by Colette. Delarue-Mardrus's novel belongs to a category of literature, written between the turn of the century and approximately 1930, which depicted lesbians as members of a third sex. The hermaphrodite became the visual representation of the ways in which lesbians were different from their heterosexual sisters, and Rene Vivien, Natalie Clifford Barney, Rachilde, and Colette, among others, shared Delarue-Mardrus's fascination with the topic.This is the first translation into English of The Angel and the Perverts. In an astute introduction, Anna Livia rereads Lucie Delarue-Mardrus as a prolific and significant writer, despite the fact that previous scholars viewed her primarily as the wife of the scholar and translator Joseph-Charles Mardrus. Livia also places Delarue-Mardrus's life in a lesbian context for the first time and decodes this delightful novel so that readers will feel quite at home in Mario/Marion's unusual world, which runs the gamut from Auguste Rodin to Jean Cocteau and Sarah Bernhardt.
Spinsters and Lesbians
Americans have long held fast to a rigid definition of womanhood, revolving around husband, home, and children. Women who rebelled against this definition and carved out independent lives for themselves have often been rendered invisible in U.S. history.In this unusual comparative study, Trisha Franzen brings to light the remarkable lives of two generations of autonomous women: Progressive Era spinsters and mid-twentieth century lesbians. While both groups of women followed similar paths to independence–separating from their families, pursuing education, finding work, and creating woman-centered communities–they faced different material and cultural challenge and came to claim very different identities. Many of the turn-of-the-century women were prominent during their time, from internationally recognized classicist Edith Hamilton through two early Directors of the Women's Bureau, Mary Anderson and Freida Miller. Maturing during the time of a broad and powerful women's movement, they were among that era's new women, the often-single women who were viewed as in the vanguard of women's struggle for equality. In contrast, never-married women after World War II, especially lesbians, were considered beyond the pale of real womanhood. Before the women's and gay/lesbian liberation movements, they had no positive contemporary images of alternative lives for women. Highlighting the similarities and differences between women-oriented women confronting changing gender and sexuality systems, Spinsters and Lesbians thus traces a continuum among women who constructed lives outside institutionalized heterosexuality.
Sophia Parnok
The weather in Moscow is good, there's no cholera, there's also no lesbian love…Brrr! Remembering those persons of whom you write me makes me nauseous as if I'd eaten a rotten sardine. Moscow doesn't have them–and that's marvellous."— Anton Chekhov , writing to his publisher in 1895 Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life. Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters. Despite her unique contribution to modern Russian lyricism however, Parnok's life and work have essentially been forgotten. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles. From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues. Parnok's approach to her sexuality was equally forthright. Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence. Diana Burgin's extensively researched life of Parnok is deliberately woven around the poet's own account, visible in her writings. The book is divided into seven chapters, which reflect seven natural divisions in Parnok's life. This lends Burgin's work a particular poetic resonance, owing to its structural affinity with one of Parnok's last and greatest poetic achievements, the cycle of love lyrics Ursa Major. Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation. Parnok's poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet. Burgin's work is essential reading for students of Russian literature, lesbian history and women's studies.
Heterosexual Plots and Lesbian Narratives
What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Dividing their writings into two genres–the romantic story and the heroic, or quest, story, Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism. Illustrating how the generational conflict between the lesbian- feminists of twenty years ago and the queer theorists of today stokes the critical fires of contemporary lesbian and literary theory, Heterosexual Plots and Lesbian Narratives concludes by arguing for a broad and generous definition of lesbian writing.
Elizabeth Bowen
Immensely popular during her lifetime, the Ango-Irish writer Elizabeth Bowen (1899-1973) has since been treated as a peripheral figure on the literary map. If only in view of her prolific outputten novels, nearly eighty short stories, and a substantial body of non- fictionBowen is a noteworthy novelist. The radical quality of her work, however, renders her an exceptional one. Surfacing in both subject matter and style, her fictions harbor a subversive potential which has hitherto gone unnoticed. Using a wide range of critical theories-from semiotics to psychoanalysis, from narratology to deconstruction-this book presents a radical re-reading of a selection of Bowen's novels from a lesbian feminist perspective. Taking into account both cultural contexts and the author's non-fictional writings, the book's main focus is on configurations of gender and sexuality. Bowen's fiction constitutes an exploration of the unstable and destabilizing effects of sexuality in the interdependent processes of subjectivity and what she herself referred to as so-called reality.
Ladies Almanack
"Lesbianism, its flories and sorows, is the subject and quest of this marvelously erverse sentimental journey by Nightwood's author… A striking lesbian mainfesto and a deft parody."— Library Journal Blending fiction, myth, and revisionary parody and accompanied by the author's delightful illustrations, Ladies Almanac is also a brilliant modernist composition and arguably the most audacious lesbian text of its time. While the book pokes fun at the wealthy expatriates who were Barnes' literary contemporaries and remains controversial today, it seems to have delighted its cast of characters, which was also the first audience. Barney herself subsidized its private publication in 1928. Fifty of the 1050 copies of the first edition were hand colored by the author, who was identified only as a lady of Fashion: on the title page.
Virginia Woolf
The last two decades have seen a resurgence of critical and popular attention to Virginia Woolf's life and work. Such traditional institutions as The New York Review of Books now pair her with William Shakespeare in promotional advertisements; her face is used to sell everything from Barnes & Noble books to Bass Ale. Virginia Woolf: Lesbian Readings represents the first book devoted to Woolf's lesbianism. Divided into two sections, Lesbian Intersections and Lesbian Readings of Woolf's Novels, these essays focus on how Woolf's private and public experience and knowledge of same-sex love influences her shorter fiction and novels. Lesbian Intersections includes personal narratives that trace the experience of reading Woolf through the 60s, 70s, 80s, and 90s. Lesbian Readings of Woolf's Novels provides lesbian interpretations of the individual novels, including Orlando, The Waves , and The Years . Breaking new ground in our understanding of the role Woolf's love for women plays in her major writing, these essays shift the emphasis of lesbian interpretations from Woolf's life to her work.
Passionate Communities
In this new full-length study of Jane Rule's life and work, Marilyn Schuster argues that Rule's novels provide a way of «writing and reading lesbian» that resists and subverts dominant discourses of gender and sexuality-both those of mainstream culture and of political and sexual subcultures. From her earliest novel, Desert of the Heart (1964), Rule's fiction has provided a challenge to the concept of a fixed identity and to the identity politics founded on such a concept. Incorporating all of Jane Rule's early work-including unpublished manuscripts, letters, magazine and newspaper columns, as well as fan mail she received-Schuster also draws on interviews, conversations, and personal encounters with the author to elicit the ways in which Rule interrogates the meanings and politics of sexuality, the relationship between sexuality and language, and the stakes of communities in individual claims on identity. Passionate Communities is a thorough, engaging, and long-overdue study of an important voice in lesbian literature and gay and lesbian politics.
Lover
A landmark work of lesbian literature, Lover was first published in 1972 by the now-defunct feminist press, Daughters, to tremendous critical acclaim. Emerging out of the women's and gay liberation movement alongside the early work of such writers as Rita Mae Brown and Jill Johnston, the novel features fictional and historical characters who run the gamut from saint to poor white trash, and who are by turn vulnerable and strong. One of the finest examples of early post-Stonewall lesbian fiction, Lover is poised to entice a new generation of readers. In this new edition, Harris reintroduces her work, providing engaging background on the cultural and personal milieu in which it was produced and painting a scathing and witty picture of the book's original publisher. Revealing the real-life personalities behind some of the novel's characters, the introduction is an amusing retrospective sure to entertain those who remember the heady post-Stonewall days, and to enlighten younger readers.
Bisexuality and the Challenge to Lesbian Politics
The subject of bisexuality continues to divide the lesbian and gay community. At pride marches, in films such as Go Fish, at academic conferences, the role and status of bisexuals is hotly contested. Within lesbian communities, formed to support lesbians in a patriarchal and heterosexist society, bisexual women are often perceived as a threat or as a political weakness. Bisexual women feel that they are regarded with suspicion and distrust, if not openly scorned. Drawing on her research with over 400 bisexual and lesbian women, surveying the treatment of bisexuality in the lesbian and gay press, and examining the recent growth of a self-consciously political bisexual movement, Paula Rust addresses a range of questions pertaining to the political and social relationships between lesbians and bisexual women. By tracing the roots of the controversy over bisexuality among lesbians back to the early lesbian feminist debates of the 1970s, Rust argues that those debates created the circumstances in which bisexuality became an inevitable challenge to lesbian politics. She also traces it forward, predicting the future of sexual politics.