"An attractive and informed guide. It includes an extensively cross-referenced list of films on which leading couturiers worked, a superb collection of stills, and a brief history of costume on the screen." — George L. George, MillimeterThis handsome book, the first comprehensive reference work on costume design in films, is a remarkable tribute to the men and women who «dress» a film. Substantially revised and updated, it not only presents a splendid record of costume designers' contributions to cinema but also those of some of the world's great couturiers.The heart of the book is an illustrated listing, arranged alphabetically by designer, providing biographical and career data (screen credits, major awards and nominations) for every major American, British, and French designer who worked on American and British films between 1909 and 1987. Among the designers are such luminaries as Adrian, Travis Banton, Edith Head, Christian Dior, Orry-Kelly, Givenchy, Jean Louis, Howard Greer, Helen Rose, Norman Hartnell, Irene Sharaff, Walter Plunkett, Charles LeMaire, Tony Walton, and Ann Roth. Their creations are featured in over 170 photographs and design renderings reproduced on high-quality coated stock. Also included is an invaluable index containing titles of 6,000 films, cross-indexed by designer, along with over 400 new film credits covering the period 1976 – 1987. In addition, an Appendix lists Academy Award nominations from 1948 (when the design award was first established), as well as the names of those honored by the British Academy for Film and Television Arts.Essential reading for fashion and costume industry professionals, historians, and students, this superb sourcebook will be valued by countless moviegoers and the legions of film aficionados studying and working in motion pictures."The author's stills are excellent, clearly identified, and often very enlightening." — Polly Platt, American Film
Ever since Eve's first blush, clothes have girded, graced and transformed the female physique. Fascinating and insightful, The Corset and the Crinoline is an illustrated history of clothing's attendant underpinnings — especially those that whittled the female waist to its most slender proportions. Reproduced from a rare 1868 fashion publication, each page reveals how the use of wood, whalebone, steel, hoops, and tight laces had a gripping influence on shaping the figures of women from ancient Greece to nineteenth-century Vienna.Enlivened by excerpts from authentic letters, magazine articles, and satiric poems, over fifty exquisite black-and-white engravings highlight the wardrobes — and what was worn underneath them — of a Persian dancing girl, an ancient Egyptian woman, a Roman lady of high rank, Queen Elizabeth, Marie de Medici, a woman of the French revolutionary period, and many more. Costume designers, artists, and anyone interested in the history of fashion will be captivated!
Few books of costume design will prove more useful to artists, students, stage designers, and scholars than this volume. Presenting detailed drawings in a continuous chronological format, it provides a history of costume design through the ages, from the first century A.D. to 1930.Culled from sculpture, lithographs, paintings, illuminated manuscripts, engravings, caricatures, fashion plates, photographs, and magazines, these illustrations have been carefully redrawn to bring out essential lines as well as all the details. Men, women, and children are shown in authentic dress, in characteristic period postures, and coiffed in contemporary hairstyles — even their gestures and bearing offer the reader insight into the attitudes and manners of their times. Due to the acceleration of change in styles, the book moves from single pages representing entire centuries to one-page-per-year depictions of fashion development. In all, more than 1,400 illustrations chronicle the full sweep of two millennia of Western garb, from Roman noble to Victorian dandy, from Elizabethan lady to Jazz Age schoolboy — all in easily accessible form.Painstakingly researched and meticulously detailed, this book will be a valuable asset and resource for students, illustrators, costume and cultural historians — anyone interested in the history of fashion.
From headdresses to sandals, from warrior's armor to priestess's robes, the authentic costumes of people from all walks of life in the Roman and Greek civilizations are here pictured comprehensively and clearly. Three hundred finely drawn, detailed engravings (containing over 700 illustrations) show just what was worn by the poets, philosophers, priests and priestesses, peasants, Bacchanalians, emperors, generals, Amazons, and virgins of a bygone age.Carefully copied from ancient vases and statuary by Thomas Hope (1770–1831), a British collector and designer, these engravings combine an unusual clarity of style with unquestioned authenticity. Their range, too, is unusually great, for besides the many plates on the costumes of the Greeks and Romans, there are representative illustrations of the typical dress of such other civilizations as the Phrygian, Egyptian, Parthian, Etruscan, and Persian.In addition, scores of engravings are devoted to such now-forgotten objects as ancient musical instruments (the lyre, double flute, pipes of Pan, etc.), Bacchanalian implements, articles of furniture, women's trinkets and jewelry, sarcophagi, altars, and other adjuncts to ancient life.Such comprehensiveness makes this book indispensable to costume designers, stage fitters, and producers of classic plays, students of fashion design, and others interested in ancient costumes. The material included here is covered in no ordinary history, and only here can the interested reader discover just how the draping of the Greek robe was achieved, or what was worn at festivals and funerals by the various classes.Art directors, advertising managers, and others on the lookout for unusual and eye-catching illustrations will also treasure this collection. All of the engravings are royalty free and may be used in any way, whether as striking contrasts to modern styles in dress, jewelry, or furniture; for historical perspective; for mood pieces; or simply as unusual attention-getters.
In the 1920s, fashion magazines were the principal source for news of the latest Paris couture. One of the most famous and long-lived of these journals was <I>L'Art et la Mode,</I> published from 1880 to 1967. <I>L'Art et la Mode </I>captured the glamor that was Paris in the Twenties, from days at the races to nights at the opera, from Sundays at the Ritz to Saturdays at the Folies-Bergère, and it followed the glittering circuit that flourished from Longchamps to Deauville to Cannes to Biarritz. The magazine was read avidly not only by the rich who patronized the couture, but also by the woman who relied on her «little dressmaker» to copy the styles depicted in the periodical. <BR>This lavishly illustrated volume offers 138 dazzling pages from <I>L'Art et la Mode </I>featuring fashions for all occasions by the great French couturiers of the Twenties—Patou, Worth, Molyneux, Doucet, Paquin, Vionnet, Lanvin, and Chanel among them. Selected by JoAnne Olian, curator of the famed Costume Collection at the Museum of the City of New York, a wealth of designs include stylish outfits for winter sports, hunting season, tennis, golf, and other athletic pursuits, as well as high-fashion ensembles for soirées and all manner of chic divertissements. <BR>In addition to choosing the plates, Ms. Olian has also provided an excellent introduction discussing the magazine, the period, and its fashion trends. The result is a beautifully illustrated, sumptuous look back at one of haute couture's most influential decades. It is also an outstanding and inexpensive source of copyright-free fashion illustrations for use by designers and craftspeople. <BR>
From prehistory to the mid-20th century, this informative book describes and illustrates the development of Western dress. The text — enhanced by nearly 500 illustrations — appears in outline form, permitting easy cross-referencing of material. Details of distinctive features for each era include footwear, headgear, accessories, and typical colors and materials. 491 black-and-white illustrations.
Scrupulously researched book by noted authority traces the development of European clothing styles from prehistory to the Norman Conquest in A.D. 1066. Over 160 illustrations, including 17 full-color plates, display draped robes of classical Greece, the jewel-encrusted apparel of a 10th-century Byzantine emperor, garments of peasants, as well as footwear, hairstyles, headdresses, and jewelry.
Svelte flappers in smart frocks and chic hats personify the style of the jazz Age, and this outstanding resource features hundreds of such deliciously distinctive images. Featuring selections from hard-to-find fashion catalogs published by the well-known but now-defunct B. Altman & Company, this volume offers a sumptuously authentic record of the delectable fashions of the 1920s.Over 700 illustrations, detailed descriptions, and prices for a vast array of upscale women’s clothing and accessories include knitted sportswear, sophisticated satin evening dresses, one-piece bathing suits of wool jersey with parasols and rubber bathing caps, cloche hats of straw, felt, and silk, and elegant shoes, ranging from sporty buckskin oxfords to satin slippers and pumps. A selection of dress and casual attire for children appears as well.Profusely illustrated and brimming with detailed information, this volume represents not only a first-rate record of the everyday fashions of the late 1920s but also an intriguing look at the mail-order advertising of the era. Fashion enthusiasts, historians, and all lovers of nostalgia will rejoice in the perennial appeal of these stylish images.
This volume reprints the celebrated collection of costume plates created in 1694 by noted 17th-century Dutch engraver Caspar Luyken. Executed with remarkable finesse, the superb illustrations depict a wide range of social classes: royalty, courtesans, merchants, laborers, military officers, ladies, gentlemen, soldiers, and a host of other figures representing varied races and countries. (A number of the subjects were drawn in their everyday milieu.) Among the many craftworkers and professionals depicted are a carpenter, mason, tailor, wickerworker, grocer, butcher, astrologer, physician, painter, and musician. This important book will fascinate anyone interested in clothing styles of another era.