Louis Spohr's Autobiography. Spohr Louis

own composition, and enchanted all the listeners. Then Herr Dussek played a sonata for the piano, of his own composition, which however did not seem to please particularly. Now followed a second quartett by Herr Eck, which so delighted Herr Dussek, that he enthusiastially embraced him. In conclusion, Herr Dussek played a new quintett he had composed in Hamburgh, which was praised to the skies. However, it did not entirely please me; for, despite the numerous modulations, it became tedious towards the end, and the worst was, that it had neither form nor rhythm, and the end could quite as well have been made the beginning as not.”

      At a musical party at M. Thornton’s country house, I became acquainted with Fräulein Grund, at that time the most esteemed singer of Hamburgh. My diary speaks of her with great enthusiasm. Among other remarks:

      “At first, the conversation was very vapourous; for the merchants spoke of nothing but the contrary winds that prevented their ships entering the Elbe. By and by however, it became more interesting, particularly when Fräulein Grund joined in it. I had already admired her correct and polished language, and her captivating and obliging manners. But when at table, she spoke alternately French with one, and English with another, and that one gentleman informed me she spoke and wrote four languages correctly, I began to envy her, and to be ashamed that I, as a man, was so far behind this girl. She had also attained great proficiency in music, and enchanted us so much yesterday evening by her singing, that Herr Eck proposed to her to sing at his Concert, which she also promised to do. My neighbour at dinner, informed me that her father maintained his family by giving Instruction in Music, and spent a great deal upon the education of his children. In this, his eldest daughter assisted him greatly; since she not only instructed her brothers and sisters in music and languages, but also earned a considerable sum by giving lessons in the first houses in Hamburgh. I would gladly have made her acquaintance at once, but she was so surrounded by young men that I could not approach her.”

      My diary mentions the following with regard to Herr Eck’s public concert in the Logensaal on the Drehbahn on the eighteenth of May:

      “Herr Eck had great reason to be satisfied with the orchestra, for his concerti were admirably accompanied; not so the arias of Fräulein Grund, which were somewhat difficult for the wind instruments. At the head of this well drilled orchestra, is Massoneau, well known by his charming compositions. The appearance of this man by no means indicates his great talent; for his manner of playing and his bow-ing are so bad, that one might take him for the greatest bungler—and yet he does not direct at all badly.”

      Our stay at Hamburgh lasted till June 6. Herr Dussek who was commissioned to arrange the concert at a festival with which the English living in Hamburgh were about to celebrate the 4^th of June, in honour of their king, engaged Herr Eck to perform a violin concerto. It was not until the rehearsal which took place on the evening of June 3, at nine o’clock, that Herr Eck discovered that the concert was to be given in the open air, which, until then, had never been mentioned. A tent had been erected, in which the orchestra, about one hundred strong, was disposed on a terrace-like platform. Herr Dussek first tried a Cantata, composed by him for the occasion, and which, had an uncommon effect upon me; for not only was it well written and thoroughly well studied, but from the accompainment of a large organ which had been erected in the back ground of the orchestra and “from its being executed in the silence of night, it partook of so solemn a character that I was quite charmed by it.”

      After the Cantata, Herr Eck was to try his Concerto. But, he fearing that the damp night air would have an unfavourable effect upon his strings, and that his violin, after so powerful a volume of vocal sound, and hemmed in by the linen walls, would tell badly, had resolved not to play at all. He explained this; and at the same time reproached Herr Dussek warmly for not having told him at once, that the concert was to take place in the open air. Hereupon a sharp dispute followed, the consequence of which was that Eck left the place immediately with me, and we took no part in the festival itself.

      We now went to Ludwigslust, where Eck wished to play at Court. But his offer was declined; and he came also to Strelitz at an unfortunate time, for the Court was absent. Nevertheless, as it was soon expected to return, and the pleasant little town with its charming park, bounded by the lake, invited us to make a longer stay; and, as Eck foresaw that in the height of summer it would be impossible to do much in Stettin, Dantzic and Konigsberg, he made up his mind to await the return of the Court. We looked out therefore for private lodgings, and made ourselves at home there for some time.

      This was the most favourable period for my studies, during the whole journey. Eck, who was now at leisure, devoted himself with great zeal to the instruction of his pupil, and initiated me in all the secrets of his art. I, for my part, urged on by youthful ambition, was indefatigable. I rose very early and practised until exhaustion obliged me to cease. But, after a short rest I began again, and in this way, sometimes brought it to ten hour’s practising a day, including the time that Eck devoted to me. In a letter from Brunswick, I had been informed that those who did not wish me well had loudly expressed themselves, that I should distinguish myself as little as all the other youths whom the duke had hitherto assisted in their studies. In order to controvert this opinion, I was determined to do my utmost, and even when my zeal sometimes flagged, the thought of my first appearance in Brunswick upon my return, animated me directly to fresh exertion.

      In this manner I succeeded after a short time in acquiring such dexterity and firmness in the management of my instrument, that none of the then known Concerto-music was too difficult for me. In these exertions I was supported by sound health, and a Herculean frame.

      Between whiles, I composed, painted, wrote and read; and in the later hours of the afternoons we used to make excursions into the neighbourhood. A favourite amusement of the travellers was to row across the lake, and to take supper at a farm house, situated on the opposite shore. As I was already at that time an accomplished swimmer, I often undressed during these trips, and swam a while alongside the boat. The relation in which I stood to Eck, which was more that of one comrade to another than of pupil to teacher, admitted of such privileges.

      At this time, I finished a violin concerto I had begun in Hamburgh, and which afterwards appeared as Op. 1 at Breitkopf & Härtel’s in Leipsic; and wrote the three violin duets Op. 3 published at Kühnel’s in the same town. While practising these duets with Eck, I became first aware that my teacher, like many violinists of the French school, was no thoroughly finished artist; for however excellently he executed his concertos, and some other compositions studied with his brother, yet he knew but little how to enter into the spirit of the works of others. A change of characters would have been very possible while playing these duets, for the scholar could have taught the master how they ought to have been executed. I became also aware from an attempt at composition made by Eck, that it was impossible for him to have composed the violin concertos and quartetts he had given out as his own productions. At a later period, also, the concertos appeared with the name of the elder Eck affixed to them, and the quartetts with that of Danzi, the leader of the Orchestra at Stutgard. Thus the four weeks, during which we waited for the arrival of the Court, passed in a very uniform way, but not fruitlessly for me, when Herr Eck fell seriously ill, and being obliged to keep his room for the first four weeks of his indisposition, I took my evening walks alone. During these walks another love affair sprang up, which is related in the diary with great earnestness and minuteness. On the eighth of July, is written:

      “This afternoon, impelled by ennui, I entered a circulating library, where I selected Lafontaine’s well known novel “Quinctius Heymerom von Flaming.” I took it with me, and, leaving the town, looked for a sequestered and shady place on the shore of the lake, where I lay down and began to read. I became deeply engrossed in the story; grieved with Lissow about his Jacobine, and compared her to a lady then living, and an acquaintance of mine. Suddenly I heard footsteps near me, I looked up, and two girls stood before me; one with blue eyes, fair curls, and beautiful as an angel, the other with black hair and eyes, less beautiful indeed than her companion, but still not plain. I sprang up, bowed respectfully and gazed after them for a long time. Myrrha, Herr Eck’s dog which