Mike. Пелам Гренвилл Вудхаус

know," said Bob, "I shouldn't—I mean, I should take care what you're doing with Wyatt."

      "What do you mean?"

      "Well, he's an awfully good chap, of course, but still——"

      "Still what?"

      "Well, I mean, he's the sort of chap who'll probably get into some thundering row before he leaves. He doesn't care a hang what he does. He's that sort of chap. He's never been dropped on yet, but if you go on breaking rules you're bound to be sooner or later. Thing is, it doesn't matter much for him, because he's leaving at the end of the term. But don't let him drag you into anything. Not that he would try to. ​But you might think it was the blood thing to do to imitate him, and the first thing you knew you'd be dropped on by Wain or somebody. See what I mean?"

      Bob was well-intentioned, but tact did not enter greatly into his composition.

      "What rot!" said Mike.

      "All right. But don't you go doing it. I'm going over to the nets. I see Burgess has shoved you down for them. You'd better be going and changing. Stick on here a bit, though, if you want any more tea. I've got to be off myself."

      Mike changed for net-practice in a ferment of spiritual injury. It was maddening to be treated as an infant who had to be looked after. He felt very sore against Bob.

      A good innings at the third eleven net, followed by some strenuous fielding in the deep, soothed his ruffled feelings to a large extent; and all might have been well but for the intervention of Firby-Smith.

      That youth, all spectacles and front teeth, met Mike at the door of Wain's.

      "Ah, I wanted to see you, young man," he said. (Mike disliked being called "young man.") "Come up to my study."

      Mike followed him in silence to his study, and preserved his silence till Firby-Smith, having deposited his cricket-bag in a corner of the room and examined himself carefully in a looking-glass that hung over the mantelpiece, spoke again.

      "I've been hearing all about you, young man." Mike shuffled.

      "You're a frightful character from all accounts." Mike could not think of anything to say that was not rude, so said nothing.

      "Your brother has asked me to keep an eye on you."

      Mike's soul began to tie itself into knots again. He was just at the age when one is most sensitive to patronage and most resentful of it.

      "I promised I would," said the Gazeka, turning round and examining himself in the mirror again. ​"You'll get on all right if you behave yourself. Don't make a frightful row in the house. Don't cheek your elders and betters. Wash. That's all. Cut along."

      Mike had a vague idea of sacrificing his career to the momentary pleasure of flinging a chair at the head of the house. Overcoming this feeling, he walked out of the room, and up to his dormitory to change.

       In the dormitory that night the feeling of revolt, of wanting to do something actively illegal, increased. Like Eric, he burned, not with shame and remorse, but with rage and all that sort of thing. He dropped off to sleep full of half-formed plans for asserting himself. He was awakened from a dream in which he was batting against Firby-Smith's bowling, and hitting it into space every time, by a slight sound. He opened his eyes, and saw a dark figure silhouetted against the light of the window. He sat up in bed.

      "Hullo," he said. "Is that you, Wyatt?"

      "Are you awake?" said Wyatt. "Sorry if I've spoiled your beauty sleep."

      "Are you going out?"

      "I am," said Wyatt. "The cats are particularly strong on the wing just now. Mustn't miss a chance like this. Specially as there's a good moon, too. I shall be deadly."

      "I say, can't I come too?"

      A moonlight prowl, with or without an air-pistol, would just have suited Mike's mood.

      "No, you can't," said Wyatt. "When I'm caught, as I'm morally certain to be some day, or night rather, they're bound to ask if you've ever been out as well as me. Then you'll be able to put your hand on your little heart and do a big George Washington act. You'll find that useful when the time comes."

      "Do you think you will be caught?"

      "Shouldn't be surprised. Anyhow, you stay where you are. Go to sleep and dream that you're playing for the school against Ripton. So long."

      ​And Wyatt, laying the bar he had extracted on the window-sill, wriggled out. Mike saw him disappearing along the wall.

       It was all very well for Wyatt to tell him to go to sleep, but it was not so easy to do it. The room was almost light; and Mike always found it difficult to sleep unless it was dark. He turned over on his side and shut his eyes, but he had never felt wider awake. Twice he heard the quarters chime from the school clock; and the second time he gave up the struggle. He got out of bed and went to the window. It was a lovely night, just the sort of night on which, if he had been at home, he would have been out after moths with a lantern.

      A sharp yowl from an unseen cat told of Wyatt's presence somewhere in the big garden. He would have given much to be with him, but he realised that he was on parole. He had promised not to leave the house, and there was an end of it.

      He turned away from the window and sat down on his bed. Then a beautiful, consoling thought came to him. He had given his word that he would not go into the garden, but nothing had been said about exploring inside the house. It was quite late now. Everybody would be in bed. It would be quite safe. And there must be all sorts ef things to interest the visitor in Wain's part of the house. Food, perhaps. Mike felt that he could just do with a biscuit. And there were bound to be biscuits on the sideboard in Wain's dining-room.

      He crept quietly out of the dormitory.

      He had been long enough in the house to know the way, in spite of the fact that all was darkness. Down the stairs, along the passage to the left, and up a few more stairs at the end. The beauty of the position was that the dining-room had two doors, one leading into Wain's part of the house, the other into the boys' section. Any interruption that there might be would come from the further door.

      ​To make himself more becure he locked that door; then, turning up the incandescent light, he proceeded to look about him.

      Mr. Wain's dining-room repaid inspection. There were the remains of supper on the table. Mike cut himself some cheese and took some biscuits from the box, feeling that he was doing himself well. This was Life. There was a little soda-water in the syphon. He finished it. As it swished into the glass, it made a noise that seemed to him like three hundred Niagaras; but nobody else in the house appeared to have noticed it.

      He took some more biscuits, and an apple.

      After which, feeling a new man, he examined the room.

      And this was where the trouble began.

      On a table in one corner stood a small gramophone. And gramophones happened to be Mike's particular craze.

      All thought of risk left him. The soda-water may have got into his head, or he may have been in a particularly reckless mood, as indeed he was. The fact remains that he inserted the first record that came to hand, wound the machine up, and set it going.

      The next moment, very loud and nasal, a voice from the machine announced that Mr. Godfrey Field would sing "The Quaint Old Bird." And, after a few preliminary chords, Mr. Field actually did so.

      "Auntie went to Aldershot in a Paris pom-pom hat."

      Mike stood and drained it in.

      " … Good gracious [sang Mr. Field], what was that?"

      It was a rattling at the handle of the door. A rattling that turned almost immediately into a spirited banging.

      A voice accompanied the banging. "Who is there?" inquired the voice. Mike recognised it as Mr. Wain's. He was not alarmed.