The Essential Works of George Eliot. George Eliot

absorbed in the thought that Wakem’s son did not seem so spiteful a fellow as might have been expected.

      “I say,” he said presently, “do you love your father?”

      “Yes,” said Philip, coloring deeply; “don’t you love yours?”

      “Oh yes—I only wanted to know,” said Tom, rather ashamed of himself, now he saw Philip coloring and looking uncomfortable. He found much difficulty in adjusting his attitude of mind toward the son of Lawyer Wakem, and it had occurred to him that if Philip disliked his father, that fact might go some way toward clearing up his perplexity.

      “Shall you learn drawing now?” he said, by way of changing the subject.

      “No,” said Philip. “My father wishes me to give all my time to other things now.”

      “What! Latin and Euclid, and those things?” said Tom.

      “Yes,” said Philip, who had left off using his pencil, and was resting his head on one hand, while Tom was learning forward on both elbows, and looking with increasing admiration at the dog and the donkey.

      “And you don’t mind that?” said Tom, with strong curiosity.

      “No; I like to know what everybody else knows. I can study what I like by-and-by.”

      “I can’t think why anybody should learn Latin,” said Tom. “It’s no good.”

      “It’s part of the education of a gentleman,” said Philip. “All gentlemen learn the same things.”

      “What! do you think Sir John Crake, the master of the harriers, knows Latin?” said Tom, who had often thought he should like to resemble Sir John Crake.

      “He learned it when he was a boy, of course,” said Philip. “But I dare say he’s forgotten it.”

      “Oh, well, I can do that, then,” said Tom, not with any epigrammatic intention, but with serious satisfaction at the idea that, as far as Latin was concerned, there was no hindrance to his resembling Sir John Crake. “Only you’re obliged to remember it while you’re at school, else you’ve got to learn ever so many lines of ‘Speaker.’ Mr. Stelling’s very particular—did you know? He’ll have you up ten times if you say ‘nam’ for ‘jam,’—he won’t let you go a letter wrong, I can tell you.”

      “Oh, I don’t mind,” said Philip, unable to choke a laugh; “I can remember things easily. And there are some lessons I’m very fond of. I’m very fond of Greek history, and everything about the Greeks. I should like to have been a Greek and fought the Persians, and then have come home and have written tragedies, or else have been listened to by everybody for my wisdom, like Socrates, and have died a grand death.” (Philip, you perceive, was not without a wish to impress the well-made barbarian with a sense of his mental superiority.)

      “Why, were the Greeks great fighters?” said Tom, who saw a vista in this direction. “Is there anything like David and Goliath and Samson in the Greek history? Those are the only bits I like in the history of the Jews.”

      “Oh, there are very fine stories of that sort about the Greeks,—about the heroes of early times who killed the wild beasts, as Samson did. And in the Odyssey—that’s a beautiful poem—there’s a more wonderful giant than Goliath,—Polypheme, who had only one eye in the middle of his forehead; and Ulysses, a little fellow, but very wise and cunning, got a red-hot pine-tree and stuck it into this one eye, and made him roar like a thousand bulls.”

      “Oh, what fun!” said Tom, jumping away from the table, and stamping first with one leg and then the other. “I say, can you tell me all about those stories? Because I sha’n’t learn Greek, you know. Shall I?” he added, pausing in his stamping with a sudden alarm, lest the contrary might be possible. “Does every gentleman learn Greek? Will Mr. Stelling make me begin with it, do you think?”

      “No, I should think not, very likely not,” said Philip. “But you may read those stories without knowing Greek. I’ve got them in English.”

      “Oh, but I don’t like reading; I’d sooner have you tell them me. But only the fighting ones, you know. My sister Maggie is always wanting to tell me stories, but they’re stupid things. Girls’ stories always are. Can you tell a good many fighting stories?”

      “Oh yes,” said Philip; “lots of them, besides the Greek stories. I can tell you about Richard Cœur-de-Lion and Saladin, and about William Wallace and Robert Bruce and James Douglas,—I know no end.”

      “You’re older than I am, aren’t you?” said Tom.

      “Why, how old are you? I’m fifteen.”

      “I’m only going in fourteen,” said Tom. “But I thrashed all the fellows at Jacob’s—that’s where I was before I came here. And I beat ’em all at bandy and climbing. And I wish Mr. Stelling would let us go fishing. I could show you how to fish. You could fish, couldn’t you? It’s only standing, and sitting still, you know.”

      Tom, in his turn, wished to make the balance dip in his favor. This hunchback must not suppose that his acquaintance with fighting stories put him on a par with an actual fighting hero, like Tom Tulliver. Philip winced under this allusion to his unfitness for active sports, and he answered almost peevishly,—

      “I can’t bear fishing. I think people look like fools sitting watching a line hour after hour, or else throwing and throwing, and catching nothing.”

      “Ah, but you wouldn’t say they looked like fools when they landed a big pike, I can tell you,” said Tom, who had never caught anything that was “big” in his life, but whose imagination was on the stretch with indignant zeal for the honor of sport. Wakem’s son, it was plain, had his disagreeable points, and must be kept in due check. Happily for the harmony of this first interview, they were now called to dinner, and Philip was not allowed to develop farther his unsound views on the subject of fishing. But Tom said to himself, that was just what he should have expected from a hunchback.

Chapter IV.

       “The Young Idea”.

       Table of Contents

      The alterations of feeling in that first dialogue between Tom and Philip continued to make their intercourse even after many weeks of schoolboy intimacy. Tom never quite lost the feeling that Philip, being the son of a “rascal,” was his natural enemy; never thoroughly overcame his repulsion to Philip’s deformity. He was a boy who adhered tenaciously to impressions once received; as with all minds in which mere perception predominates over thought and emotion, the external remained to him rigidly what it was in the first instance. But then it was impossible not to like Philip’s company when he was in a good humor; he could help one so well in one’s Latin exercises, which Tom regarded as a kind of puzzle that could only be found out by a lucky chance; and he could tell such wonderful fighting stories about Hal of the Wynd, for example, and other heroes who were especial favorites with Tom, because they laid about them with heavy strokes. He had small opinion of Saladin, whose cimeter could cut a cushion in two in an instant; who wanted to cut cushions? That was a stupid story, and he didn’t care to hear it again. But when Robert Bruce, on the black pony, rose in his stirrups, and lifting his good battle-axe, cracked at once the helmet and the skull of the too hasty knight at Bannockburn, then Tom felt all the exaltation of sympathy, and if he had had a cocoanut at hand, he would have cracked it at once with the poker. Philip in his happier moods indulged Tom to the top of his bent, heightening the crash and bang and fury of every fight with all the artillery of epithets and similes at his command. But he was not always in a good humor or happy mood. The slight spurt of peevish susceptibility which had escaped him in their first interview was a symptom of a perpetually recurring mental ailment, half of it nervous irritability, half of it the heart-bitterness produced by the sense of his deformity. In these fits of susceptibility every glance seemed to him to be charged either with offensive pity or with ill-repressed