Surprised by Joy. C. S. Lewis

I developed for a short time a genuinely scientific interest in insects. Other studies soon crowded it out; but while my entomological period lasted my fear almost vanished, and I am inclined to think a real objective curiosity will usually have this cleansing effect.

      I am afraid the psychologists will not be content to explain my insect fears by what a simpler generation would diagnose as their cause - a certain detestable picture in one of my nursery books. In it a midget child, a sort of Tom Thumb, stood on a toadstool and was threatened from below by a stag-beetle very much larger than himself. This was bad enough; but there is worse to come. The horns of the beetle were strips of cardboard separate from the plate and working on a pivot. By moving a devilish contraption on the verso you could make them open and shut like pincers: snip-snap - snip-snap - I can see it while I write. How a woman ordinarily so wise as my mother could have allowed this abomination into the nursery is difficult to understand. Unless, indeed (for now a doubt assails me), unless that picture itself is a product of nightmare. But I think not.

      In 1905, my seventh year, the first great change in my life took place. We moved house. My father, growing, I suppose, in prosperity, decided to leave the semi-detached villa in which I had been born and built himself a much larger house, further out into what was then the country. The ‘New House’, as we continued for years to call it, was a large one even by my present standards; to a child it seemed less like a house than a city. My father, who had more capacity for being cheated than any man I have ever known, was badly cheated by his builders; the drains were wrong, the chimneys were wrong, and there was a draught in every room. None of this, however, mattered to a child. To me, the important thing about the move was that the background of my life became larger. The New House is almost a major character in my story. I am a product of long corridors, empty sunlit rooms, upstair indoor silences, attics explored in solitude, distant noises of gurgling cisterns and pipes, and the noise of wind under the tiles. Also, of endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing-room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents’ interests, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass. Where all these books had been before we came to the New House is a problem that never occurred to me until I began writing this paragraph. I have no idea of the answer.

      Out of doors was ‘the view’ for which, no doubt, the site had principally been chosen. From our front door we looked down over wide fields to Belfast Lough and across it to the long mountain line of the Antrim shore - Divis, Colin, Cave Hill. This was in the faroff days when Britain was the world’s carrier and the Lough was full of shipping; a delight to both us boys, but most to my brother. The sound of a steamer’s horn at night still conjures up my whole boyhood. Behind the house, greener, lower, and nearer than the Antrim mountains, were the Holywood Hills, but it was not till much later that they won my attention. The north-western prospect was what mattered at first; the interminable summer sunsets behind the blue ridges, and the rooks flying home. In these surroundings the blows of change began to fall.

      First of all, my brother was packed off to an English boarding-school and thus removed from my life for the greater part of every year. I remember well the rapture of his homecomings for the holidays but have no recollection of any corresponding anguish at his departures. His new life made no difference to the relations between us. I, meanwhile, was going on with my education at home; French and Latin from my mother and everything else from an excellent governess, Annie Harper. I made rather a bugbear of this mild and modest little lady at the time, but all that I can remember assures me that I was unjust. She was a Presbyterian; and a longish lecture which she once interpolated between sums and copies is the first thing I can remember that brought the other world to my mind with any sense of reality. But there were many things that I thought about more. My real life - or what memory reports as my real life - was increasingly one of solitude. I had indeed plenty of people to talk to: my parents, my grandfather Lewis, prematurely old and deaf, who lived with us; the maids; and a somewhat bibulous old gardener. I was, I believe, an intolerable chatterbox. But solitude was nearly always at my command, somewhere in the garden or somewhere in the house. I had now learned both to read and write; I had a dozen things to do.

      What drove me to write was the extreme manual clumsiness from which I have always suffered. I attribute it to a physical defect which my brother and I both inherit from our father; we have only one joint in the thumb. The upper joint (that farthest from the nail) is visible, but it is a mere sham; we cannot bend it. But whatever the cause, nature laid on me from birth an utter incapacity to make anything. With pencil and pen I was handy enough, and I can still tie as good a bow as ever lay on a man’s collar, but with a tool or a bat or a gun, a sleeve-link or a corkscrew, I have always been unteachable. It was this that forced me to write. I longed to make things, ships, houses, engines. Many sheets of cardboard and pairs of scissors I spoiled, only to turn from my hopeless failures in tears. As a last resource, as a pis aller, I was driven to write stories instead; little dreaming to what a world of happiness I was being admitted. You can do more with a castle in a story than with the best cardboard castle that ever stood on a nursery table.

      I soon staked out a claim to one of the attics and made it ‘my study’. Pictures, of my own making or cut from brightly coloured Christmas numbers of magazines, were nailed on the walls. There I kept my pen and inkpot and writing books and paint-box; and there

       What more felicity can fall to creature Than to enjoy delight with liberty?

      Here my first stories were written, and illustrated, with enormous satisfaction. They were an attempt to combine my two chief literary pleasures - ‘dressed animals’ and ‘knights-in-armour’. As a result, I wrote about chivalrous mice and rabbits who rode out in complete mail to kill not giants but cats. But already the mood of the systematiser was strong in me; the mood which led Trollope so endlessly to elaborate his Barsetshire. The Animal-Land which came into action in the holidays when my brother was at home was a modern Animal-Land; it had to have trains and steamships if it was to be a country shared with him. It followed, of course, that the medieval Animal-Land about which I wrote my stories must be the same country at an earlier period; and of course the two periods must be properly connected. This led me from romancing to historiography; I set about writing a full history of Animal-Land. Though more than one version of this instructive work is extant, I never succeeded in bringing it down to modern times; centuries take a deal of filling when all the events have to come out of the historian’s head. But there is one touch in the History that I still recall with some pride. The chivalric adventures which filled my stories were in it alluded to very lightly and the reader was warned that they might be ‘only legends’. Somehow - but heaven knows how - I realised even then that a historian should adopt a critical attitude towards epic material. From history it was only a step to geography. There was soon a map of Animal-Land - several maps, all tolerably consistent. Then Animal-Land had to be geographically related to my brother’s India, and India consequently lifted out of its place in the real world. We made it an island, with its north coast running along the back of the Himalayas; between it and Animal-Land my brother rapidly invented the principal steamship routes. Soon there was a whole world and a map of that world which used every colour in my paint-box. And those parts of that world which we regarded as our own - Animal-Land and India - were increasingly peopled with consistent characters.

      Of the books that I read at this time very few have quite faded from memory, but not all have retained my love. Conan Doyle’s Sir Nigel, which first set my mind upon ‘knights in armour’, I have never felt inclined to re-read. Still less would I now read Mark Twain’s Yankee at the Court of King Arthur, which was then my only source for the Arthurian story, blissfully read for the sake of the romantic elements that came through and with total disregard of the vulgar ridicule directed against them. Much better than either of these was E. Nesbit’s trilogy, Five Children and It, The Phoenix and the Carpet, and The Story of the Amulet.