The Hole in the Wall. Morrison Arthur

on capital. I knowed you'd make a plucked 'un. But you won't have to keep house alone jest yet. No. You an' me'll keep house together, Stevy, at the Hole in the Wall. Your father won't be home a while yet; an' I'll settle all about this here place. But Lord! what a pluck for a shaver!" And he brightened wonderfully.

      In truth there had been little enough of courage in my poor little body, and Grandfather Nat's words brought me a deal of relief. Beyond the vague terrors of loneliness and responsibility, I had been troubled by the reflection that housekeeping cost money, and I had none. For though my mother's half-pay note had been sent in the regular way to Viney and Marr a week before, there had been neither reply nor return of the paper. The circumstance was unprecedented and unaccountable, though the explanation came before very long.

      For the present, however, the difficulty was put aside. I put my hand in my grandfather's, and, the door being locked behind us and the key in his pocket, we went out together, on the quay, over the bridge and into the life that was to be new for us both.

CHAPTER II

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IN BLUE GATE

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      While his mother's relations walked out of Stephen's tale, and left his grandfather in it, the tales of all the world went on, each man hero in his own.

      Viney and Marr were owners of the brig Juno, away in tropic seas, with Stephen's father chief mate; and at this time the tale of Viney and Marr had just divided into two, inasmuch as the partners were separated and the firm was at a crisis—the crisis responsible for the withholding of Mrs. Kemp's half-pay. No legal form had dissolved the firm, indeed, and scarce half a mile of streets lay between the two men; but in truth Marr had left his partner with uncommon secrecy and expedition, carrying with him all the loose cash he could get together; and a man need travel a very little way to hide in London. So it was that Mr. Viney, left alone to bear the firm's burdens, was loafing, sometimes about his house in Commercial Road, Stepney, sometimes in the back streets and small public-houses hard by; pondering, no doubt, the matter contained in a paper that had that afternoon stricken the colour from the face of one Crooks, ship-chandler, of Shadwell, and had hardly less disquieted others in related trades. While Marr, for the few days since his flight no more dressed like the business partner in a shipowning concern, nor even like a clerk, but in serge and anklejacks, like a foremast hand, was playing up to his borrowed character by being drunk in Blue Gate.

      The Blue Gate is gone now—it went with many places of a history only less black when Ratcliff Highway was put to rout. As you left High Street, Shadwell, for the Highway—they made one thoroughfare—the Blue Gate was on your right, almost opposite an evil lane that led downhill to the New Dock. Blue Gate Fields, it was more fully called, though there was as little of a field as of a gate, blue or other, about the place, which was a street, narrow, foul and forbidding, leading up to Back Lane. It was a bad and a dangerous place, the worst in all that neighbourhood: worse than Frederick Street—worse than Tiger Bay. The sailor once brought to anchor in Blue Gate was lucky to get out with clothes to cover him—lucky if he saved no more than his life. Yet sailors were there in plenty, hilarious, shouting, drunk and drugged. Horrible draggled women pawed them over for whatever their pockets might yield, and murderous ruffians were ready at hand whenever a knock on the head could solve a difficulty.

      Front doors stood ever open in the Blue Gate, and some houses had no front doors at all. At the top of one of the grimy flights of stairs thus made accessible from the street, was a noisy and ill-smelling room; noisy because of the company it held; ill-smelling partly because of their tobacco, but chiefly because of the tobacco and the liquor of many that had been there before, and because of the aged foulness of the whole building. There were five in the room, four men and a woman. One of the men was Marr, though for the present he was not using that name. He was noticeable amid the group, being cleaner than the rest, fair-haired, and dressed like a sailor ashore, though he lacked the sunburn that was proper to the character. But sailor or none, there he sat where many had sat before him, a piece of the familiar prey of Blue Gate, babbling drunk and reasonless. The others were watchfully sober enough, albeit with a great pretence of jollity; they had drunk level with the babbler, but had been careful to water his drink with gin. As for him, he swayed and lolled, sometimes on the table before him, sometimes on the shoulder of the woman at his side. She was no beauty, with her coarse features, dull eyes, and tousled hair, her thick voice and her rusty finery; but indeed she was the least repulsive of that foul company.

      On the victim's opposite side sat a large-framed bony fellow, with a thin, unhealthy face that seemed to belong to some other body, and dress that proclaimed him long-shore ruffian. The woman called him Dan, and nods and winks passed between the two, over the drooping head between them. Next Dan was an ugly rascal with a broken nose; singular in that place, as bearing in his dress none of the marks of waterside habits, crimpery and the Highway, but seeming rather the commonplace town rat of Shoreditch or Whitechapel. And, last, a blind fiddler sat in a corner, fiddling a flourish from time to time, roaring with foul jest, and roiling his single white eye upward.

      "No, I won'av another," the fair-haired man said, staring about him with uncertain eyes. "Got bishness 'tend to. I say, wha' pubsh this? 'Tain' Brown Bear, ish't? Ish't Brown Bear?"

      "No, you silly," the woman answered playfully. "'Tain't the Brown Bear; you've come 'ome along of us."

      "O! Come home—come home. … I shay—this won' do! Mus'n' go 'ome yet—get collared y'know!" This with an owlish wink at the bottle before him.

      Dan and the woman exchanged a quick look; plainly something had gone before that gave the words significance. "No," Marr went on, "mus'n' go 'ome. I'm sailor man jus' 'shore from brig Juno in from Barbadoes. … No, not Juno, course not. Dunno Juno. 'Tain' Juno. D'year? 'Tain' Juno, ye know, my ship. Never heard o' Juno. Mine's 'nother ship. … I say, wha'sh name my ship?"

      "You're a rum sailor-man," said Dan, "not to know the name of your own ship ten minutes together. Why, you've told us about four different names a'ready."

      The sham seaman chuckled feebly.

      "Why, I don't believe you're a sailor at all, mate," the woman remarked, still playfully. "You've just bin a-kiddin' of us fine!"

      The chuckle persisted, and turned to a stupid grin. "Ha, ha! Ha, ha! Have it y'r own way." This with a clumsily stealthy grope at the breast pocket—a movement that the others had seen before, and remembered. "Have it y'r own way. But I say; I say, y'know"—suddenly serious—"you're all right, ain't you? Eh? All right, you know, eh? I s-say—I hope you're—orright?"

      "Awright, mate? Course we are!" And Dan clapped him cordially on the shoulder.

      "Awright, mate?" shouted the blind man, his white eye rolling and blinking horribly at the ceiling. "Right as ninepence! An' a 'a'penny over, damme!"

      "We're awright," growled the broken-nosed man, thickly.

      "We don't tell no secrets," said the woman.

      "Thash all very well, but I was talkin' about the Juno, y'know. Was'n I talkin' about Juno?" A look of sleepy alarm was on the fair man's face as he turned his eyes from one to another.

      "Ay, that's so," answered the fellow at his side. "Brig Juno in from Barbadoes."

      "Ah! Thash where you're wrong; she ain't in—see?" Marr wagged his head, and leered the profoundest sagacity. "She ain't in. What's more, 'ow d'you know she ever will come in, eh? 'Ow d'ye know that? Thash one for ye, ole f'ler! Whar'll ye bet me she ever gets as far as—but I say, I say; I say, y'know, you're all right, ain't you? Qui' sure you're orrigh'?"

      There was a new and a longer chorus of reassurance, which Dan at last ended with: "Go on; the Juno