The Paris Sketch Book of Mr. M. A. Titmarsh; and the Irish Sketch Book. William Makepeace Thackeray

to expose a criminal who was to be sent on afterwards to Paris. St. Just had ordered that Schneider should stand for six hours in the public place of Strasburg, and then be sent on to the capital, to be dealt with as the authorities there might think fit.

      The people followed with execrations the villain to his place of punishment; and Grégoire grinned as he fixed up to the post the man whose orders he had obeyed so often—who had delivered over to disgrace and punishment so many who merited it not.

      Schneider was left for several hours exposed to the mockery and insults of the mob; he was then, according to his sentence, marched on to Paris, where it is probable that he would have escaped death, but for his own fault. He was left for some time in prison, quite unnoticed, perhaps forgotten: day by day fresh victims were carried to the scaffold, and yet the Alsatian tribune remained alive; at last, by the mediation of one of his friends, a long petition was presented to Robespierre, stating his services and his innocence, and demanding his freedom. The reply to this was an order for his instant execution: the wretch died in the last days of Robespierre’s reign. His comrade, St. Just, followed him, as you know; but Edward Ancel had been released before this, for the action of my brave Mary had created a strong feeling in his favour.

      ‘And Mary?’ said I.

      Here a stout and smiling old lady entered the Captain’s little room: she was leaning on the arm of a military-looking man of some forty years, and followed by a number of noisy rosy children.

      ‘This is Mary Ancel,’ said the Captain, ‘and I am Captain Pierre, and yonder is the Colonel, my son; and you see us here assembled in force, for it is the fête of little Jacob yonder, whose brothers and sisters have all come from their schools to dance at his birthday.’

BEATRICE MERGER

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      BEATRICE MERGER, whose name might figure at the head of one of Mr. Colburn’s politest romances—so smooth and aristocratic does it sound—is no heroine, except of her own simple history; she is not a fashionable French Countess, nor even a victim of the Revolution.

      

      She is a stout, sturdy girl of two-and-twenty, with a face beaming with good-nature, and marked dreadfully by small-pox; and a pair of black eyes, which might have done some execution had they been placed in a smoother face. Beatrice’s station in society is not very exalted; she is a servant-of-all-work: she will dress your wife, your dinner, your children; she does beefsteaks and plain work; she makes beds, blacks boots, and waits at table;—such, at least, were the offices which she performed in the fashionable establishment of the writer of this book; perhaps her history may not inaptly occupy a few pages of it.

      ‘My father died,’ said Beatrice, ‘about six years since, and left my poor mother with little else but a small cottage and a strip of land, and four children too young to work. It was hard enough in my father’s time to supply so many little mouths with food; and how was a poor widowed woman to provide for them now, who had neither the strength nor the opportunity for labour?

      ‘Besides us, to be sure, there was my old aunt; and she would have helped us, but she could not, for the old woman is bedridden; so she did nothing but occupy our best room, and grumble from morning till night: Heaven knows! poor old soul, that she had no great reason to be very happy; for you know, sir, that it frets the temper to be sick; and that it is worse still to be sick and hungry too.

      ‘At that time, in the country where we lived (in Picardy, not very far from Boulogne), times were so bad that the best workman could hardly find employ; and when he did, he was happy if he could earn a matter of twelve sous a day. Mother, work as she would, could not gain more than six; and it was a hard job, out of this, to put meat into six bellies, and clothing on six backs. Old Aunt Bridget would scold, as she got her portion of black bread; and my little brothers used to cry if theirs did not come in time. I, too, used to cry when I got my share; for mother kept only a little, little piece for herself, and said that she had dined in the fields—God pardon her for the lie! and bless her, as I am sure He did; for, but for Him, no working man or woman could subsist upon such a wretched morsel as my dear mother took.

      ‘I was a thin, ragged, barefooted girl, then, and sickly and weak for want of food; but I think I felt mother’s hunger more than my own; and many and many a bitter night I lay awake, crying, and praying to God to give me means of working for myself and aiding her. And He has, indeed, been good to me,’ said pious Beatrice, ‘for He has given me all this!

      ‘Well, time rolled on, and matters grew worse than ever: winter came, and was colder to us than any other winter, for our clothes were thinner and more torn; mother sometimes could find no work, for the fields in which she laboured were hidden under the snow; so that when we wanted them most we had them least—warmth, work, or food.

      ‘I knew that, do what I would, mother would never let me leave her, because I looked to my little brothers and my old cripple of an aunt; but, still, bread was better for us than all my service; and when I left them the six would have a slice more; so I determined to bid good-bye to nobody, but to go away, and look for work elsewhere. One Sunday, when mother and the little ones were at church, I went in to Aunt Bridget, and said, “Tell mother when she comes back, that Beatrice is gone.” I spoke quite stoutly, as if I did not care about it.

      ‘ “Gone! gone where?” said she. “You an’t going to leave me alone, you nasty thing; you an’t going to the village to dance, you ragged, barefooted slut: you’re all of a piece in this house—your mother, your brothers, and you. I know you’ve got meat in the kitchen, and you only give me black bread;” and here the old lady began to scream as if her heart would break; but we did not mind it, we were so used to it.

      ‘ “Aunt,” said I, “I’m going, and took this very opportunity because you were alone; tell mother I am too old now to eat her bread and do no work for it: I am going, please God, where work and bread can be found:” and so I kissed her: she was so astonished that she could not move or speak; and I walked away through the old room, and the little garden, God knows whither!

      ‘I heard the old woman screaming after me, but I did not stop nor turn round. I don’t think I could, for my heart was very full; and if I had gone back again, I should never have had the courage to go away. So I walked a long, long way, until night fell; and I thought of poor mother coming home from mass, and not finding me; and little Pierre shouting out, in his clear voice, for Beatrice to bring him his supper. I think I should like to have died that night, and I thought I should too; for when I was obliged to throw myself on the cold, hard ground, my feet were too torn and weary to bear me any farther.

      ‘Just then the moon got up; and do you know I felt a comfort in looking at it, for I knew it was shining on our little cottage, and it seemed like an old friend’s face. A little way on, as I saw by the moon, was a village; and I saw, too, that a man was coming towards me; he must have heard me crying, I suppose.

      ‘Was not God good to me? This man was a farmer, who had need of a girl in his house; he made me tell him why I was alone, and I told him the same story I have told you, and he believed me and took me home. I had walked six long leagues from our village that day, asking everywhere for work in vain; and here, at bedtime, I found a bed and a supper!

      ‘Here I lived very well for some months; my master was very good and kind to me; but, unluckily, too poor to give me any wages; so that I could save nothing to send to my poor mother. My mistress used to scold; but I was used to that at home, from Aunt Bridget; and she beat me sometimes, but I did not mind it; for your hardy country girl is not like your tender town lasses, who cry if a pin pricks them, and give warning to their mistresses at the first hard word. The only drawback to my comfort was, that I had no news of my mother; I could not write to her, nor could she have read my letter, if I had; so there I was, at only