Museum Practice. Группа авторов

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Название Museum Practice
Автор произведения Группа авторов
Жанр Изобразительное искусство, фотография
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Издательство Изобразительное искусство, фотография
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isbn 9781119796626



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we wanted to say (see Appendix B below).

      One of the hardest things to change in a complex organisation is its culture. What I found when I came to NML was a culture of rivalry and finger pointing, compliance and deference, with a bureaucratic overlay which made decision-making and prioritisation difficult. This is not a recipe for an organisation to be able to improve its performance in a fast-changing and demanding environment.

      I do not pretend that all is yet well, though I do believe we are on the mend. I sense widespread support for our new Aims and Beliefs which, while imperfect, does a decent job of outlining what we need to do – and with what attitude – in order for us to move onward successfully, i.e. to be a people- and service-orientated organisation rather than an insular and procedurally-minded one.

      We have gone some way towards freeing up the collective mindset of NML, causing us to be less risk averse and more creative, more confident in sharing information, more relaxed, easier to engage with. Of course, such a transformation is facilitated by obvious successes such as the steep rise in visitor numbers, in turn the result of changed ways of doing things.

      Nonetheless, we were making progress. These are some of the changes we implemented during the five-year period from 2002 to 2006:

       overhauled our financial structure and got a grip on our finances;

       brought in some key new staff and made some judicious promotions to ensure a positive approach to a change agenda;

       strengthened our Board of Trustees with some key appointments;

       placed a new emphasis on education work;

       placed a new emphasis on work with local communities;

       increased our volunteer workforce;

       implemented a number of capital projects that helped break down internal barriers and motivate staff;

       introduced free admission to all venues, events, and activities;

       introduced an improved exhibitions management regime;

       greatly increased our media profile.

      Who we are and what we do

      National Museums Liverpool (NML) is one of the world’s great museum organisations. We hold in trust and safeguard some of the world’s most important museum collections, which are universal in their range.

      We are core-funded by central government and we are the only national museum service in England based wholly outside London, so we have a unique fourfold role – we are the main museum service for Liverpool and Merseyside; we are the region’s largest cultural organisation; we operate at national and at international levels.

      Having played a pivotal role in the cultural, educational and economic life of Liverpool and the North West for more than 150 years, our success can be measured in terms of how well we combine this local and regional role with our national and international responsibilities.

      NML currently comprises eight museums: International Slavery Museum, Lady Lever Art Gallery, Merseyside Maritime Museum, Sudley House, UK Border Agency National Museum, Walker Art Gallery, World Museum Liverpool, and the Museum of Liverpool.

      Our mission

      We change lives and enable millions of people, from all backgrounds, to engage with our world-class museums.

      Our values

       We believe that museums are fundamentally educational in purpose.

       We believe that museums are places for ideas and dialogue that use collections to inspire people.

       We are a democratic museum service and we believe in the concept of social justice: we are funded by the whole of the public and in return we strive to provide an excellent service to the whole of the public.

       We believe in the power of museums to help promote good and active citizenship, and to act as agents of social change (National Museums Liverpool 2010).

      The “who we are and what we do” statement of mission and values is supplemented by a “Strategy Statement” (see Appendix A below). This approach to capturing values and writing a mission, but also citing the social and economic contexts in which we work, seems to me to be the best way for a museum service to stress its non-profit nature. Readers may not be surprised that we try to run NML efficiently; they may be more surprised to find that we are quite so aware of, and tenacious about, our social role.

      In July 2011, we opened a new museum, the Museum of Liverpool (Museum of Liverpool 2013). I have often described this as a “democratic museum,” in that it has been conceived and created by people who adhere to what I see as NML’s democratic mission (Fleming 2011). Indeed, the Museum of Liverpool in many ways embodies NML’s values: it is people- and story-led; it is emotional; it sets out to engage local people first and foremost. The museum is the culmination of ten years of re-visioning the purpose and value of NML, and of the ways in which we work. So far the museum has proved to be extremely popular with Liverpudlians. In 2012, ALVA reported it was the most visited museum in the United Kingdom outside London with over 1 million visitors (ALVA 2013).

      The current Aims and Beliefs statement is now just about where we want it to be. It will be revised for our Strategic Plan 2012–2015, because our external environment has shifted with the election of a Conservative-led Coalition Government in May 2010, and the subsequent reduction in our budgets. Thousands of public sector jobs have already been lost in Merseyside, including scores at NML, as government spending cuts bite deep; the think-tank Centre for Cities has forecast that cuts will damage Liverpool more than any other city in the United Kingdom (Centre for Cities 2011). Nonetheless, we will adhere to our values. As the world around us shifts on its axis once more, our values are what make us what we are.

      The way that NML’s mission, values, and vision are expressed is always a work in progress, even though these things do not change in essence, whatever the external environment might throw up. There is always external change, so there is always more to do within the museum. No museum can afford to stand still. Political, social, economic, technological, and environmental changes mean the museum must continually rethink what it is doing and how it does it. But the mission, values, and vision will remain constant.

      Recent data indicates NML’s success in pursuing our social justice agenda. The audience continues to grow and become more diverse (“Liverpool’s Museums and Galleries Celebrate a Rise in Visitor Numbers” 2013). In 2010/2011 the number of visits made to NML museums by adults from NS-NSC groups 5–8 (i.e., those from lower-income groups) exceeded that of any other DCMS-funded museum, and was far greater than the numbers recorded for the British Museum, Tate Gallery, and Victoria and Albert Museum combined (Changing Lives 2012, 21).