Heartbreaker. Claudia Dey

      

      

       Copyright

      The Borough Press

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      Published by HarperCollinsPublishers 2018

      Copyright © Claudia Dey 2018

      Cover design by Holly Macdonald © HarperCollinsPublishers 2018

      Cover images © Peter Ptschelinzew/Getty Images (desert background), © Rachel Willey (car)

      Claudia Dey asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

      Source ISBN: 9780008295073

      Ebook Edition © October 2017 ISBN: 9780008295097

      Version: 2018-07-11

       Epigraph

       In love there is no because.

       ALICE NOTLEY,

       IN THE PINES

      Contents

       Cover

       Title Page

      Copyright

      Epigraph

Part One. GIRL

       Part Two. DOG

       Part Three. BOY

      Acknowledegments

      About the Author

      Also by Claudia Dey

       About the Publisher

Part One

      This is what I know: She left last night. My mother, Billie Jean Fontaine, stood in our front hallway with a stale cigarette in one hand and her truck keys in the other. The light in our hallway was broken or dying so it flickered above her head, throwing shadows across her face. I don’t know how long she was standing there watching me.

      I was only feet away on the couch in my nightpants trying to arrange my body like the woman in that Whitesnake video. It was not going well. The television was on, and I had our telephone receiver pressed hard against my left ear. My ear had gone numb listening to Lana on the other end breathing heavily, which made me picture, unfairly, Lana’s dog, a dog, unlike our dog, of low intelligence. Together in silence, we watched Teen Psychic. The show was already at the love line, making it close to seven o’clock, and 1985, and late October. Teen Stewardess was on next, and for this, I felt deep excitement.

      I had my outerwear smoothed flat on my lap. With a black permanent marker, I was filling in the cap letters I had written across the back. I would debut and copyright these later at the bonfire. Note there is no such thing as permanent. Especially in a marker you find in a snowdrift. I also found my camo outerwear in said snowdrift, the snowdrift that borders the north highway outside Neon Dean’s pink bungalow, which on Free Day can be a bonanza. A few other things to keep in mind at this moment: I had almost a hundred dollars in small denominations hidden inside the album covers in my bedroom, twelve jerry cans of gasoline stashed in the woods behind our house, hair to my tailbone I had recently tried to self-feather, and my mother had not come downstairs for two months.

      “I am going into town.” My mother spoke this astonishing sentence not to me but to the cold air around me. She had not left our bungalow since the end of July, and it was now almost three months later. Winter had set in. Outside, the trees were skeletal, and the hunters were urinating on their hands to warm them. The men called this dicking the hands. I dicked my hands to turn my keys. Same. Dicked my hands right there on my front porch. Same. Had to dick my hands to cock my rifle. This was the kind of talk you might hear if you went into Drink-Mart for some homemade alcohol. There, under a half-busted chandelier, listening to Air Supply, the men of the territory gathered to clean their rifles with their wives’ old tan pantyhose while being stared at by a wall covered with the beautiful heads of our animals.

      Air Supply. A band name none of us wanted to read into.

      I joined my mother in the hallway. I had not seen her upright for weeks and now looked down at her scalp, the hair broken in places. Beauty, what is beauty? Beauty is cheap. Beauty is common. Beauty is luck. My father, The Heavy—known for many things but mostly his severe facial issues—loved to say when he first laid eyes on my mother, it was not like the stories you hear about beauty. A man struck down by a woman’s beauty. Taken by a woman’s beauty. No. Not at all. My father liked to say when he first laid eyes on my mother, he had never seen anyone quite so alive.

      She was wearing her indoor tracksuit. It hung from her frame and was the color of dirty water. I knew not to touch her, and this was difficult, so I pushed my hands into the large pockets of my nightpants. I had done my bloodwork that morning and was still feeling a bit faint. Moving quickly from the couch to the doorway, I was seeing sparks, and the strobe-light effect of the dying bulb above us was not helping, so I tilted my head down slightly and leaned against the wall, looking but not feeling casual. Of late, I had become a fainter, and this was a most useful quality as it meant instant departure to a dark and neutral space. When my mother and I used to talk, we agreed that HELP was a flawless word. That even if you reordered the letters, people would still completely get your meaning. PHLE.

      My mother wasn’t wearing her sport socks or her house sandals, the usual combination for a territory woman who finds herself indoors at home at night, which is always. Her feet were bare and marbled. Her toenails had yellowed, and her shins looked sharp and blue, as if they could slice through wood. In my bedroom, I liked to listen to hot men sing about hot women while studying the images of disease. We had very few books in the territory, but we did have one thick volume that contained nothing except pictures and descriptions of diseases. It didn’t even