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In 1946, Winnipeg's struggling medical student received an injection of new life when scientist and army doctor Joe Doupe came home from the war. He assembled the school's first research group and in 1949, took over the physiology department. Doupe soon blended science and clinical teaching, objecting to their seperation in the curriculum, which was usual at that time. He required Winnipeg medical students of the 1950s and early 1960s to take a critical look at the scientific knowledge they relied on and in their methods of scientific inquiry. From his student days Doupe was considered argumentative, forever asking colleagues, superiors or students why they believed what they took for granted. The outcome was a generation of Manitoba medical students with a perceptive and sceptical attitude towards both textbook knowledge and new medical discoveries. Doupe also showed that Winnipeg's medical students, though small and distant from the great medical centres, could become a first-rate teaching and research establishment; in doing so he became one of Canada's most distinguished medical educators.
James Wilson Morrice
James Wilson Morrice (1865–1924) was a Canadian painter of extraordinary passion and simplicity whose canvases and oil sketches are valued throughout the world and cherished in Canada as our first real examples of modern art. Though cut short by chronic alcohol abuse, Morrice’s restless bohemian life was spent in constant motion. From the colourful canals of Venice to the sun-drenched markets of North Africa to the snowy streets of Quebec City, he was, as his friend Henri Matisse described him, «always over hill and dale, a little like a migrating bird but without any very fixed landing place.» In James Wilson Morrice, Wayne Larsen chronicles the creative but often troubled life of this early cultural icon as he travels in search of the colours, compositions, and subtle effects of light that would inspire a revolution in Canadian art.
It Made You Think of Home
"We took our positions, five kneeling and five standing … we got the order to fire. One blank and nine live rounds … I did not have the blank." That is the voice of Deward Barnes, an unwilling but dutiful member of the firing squad that shot Harold Lodge, one of 25 Canadians executed during the First World War. In this diary we hear something that is otherwise gone forever: the authentic voice of the First World War soldier, Everyman in khaki. Fully annontated so that everyone today can understand the nuance of each entry, the Barnes diary takes us into the trenches and the firing lines of the Western Front like no other first-hand Canadian account of that terrible war can. Like any trained infantryman, Deward could tell the kick of a live round from a blank one, and that kick he bestows on us with each turn of the page.
The Invisible War
While the Second World War raged in Europe, demanding most of Canada's military effort, an equally fierce war with Japan was going on in the Far East. Army, navy, and air force signals units in Canada kept watch on the enemy's vital radio communications. To be more effective, Number One Canadian Special Wireless Group of the Royal Canadian Signals Corps was formed to go to the Southwest Pacific war theatre for close-in radio eavesdropping. Murray describes the often zany career of the only complete signals unit Canada sent to the War in the Pacific, and the significant part it played in the Allied signals intelligence operation known as «Magic.»
Invaders from the North
What do Superman, Prince Valiant, Cerebus the Aardvark, and Spawn have in common? Their creators – Joe Shuster, Harold Foster, Dave Sim, and Todd McFarlane are Canadians. And while many of the cutting-edge talents of contemporary comix and graphic novels are also from Canada – artists such as Chester Brown, Seth, Dave Cooper, and Julie Doucet – far too few Canadians realize their country had a remarkable involvement with the «funnies» long before. Invaders from the North profiles past and present comic geniuses, sheds light on unjustly neglected chapters in Canada’s pop history, and demonstrates how this nation has vaulted to the forefront of international comic art, successfully challenging the long-established boundaries between high and low culture. Generously illustrated with black-and-white and colour comic covers and panels, Invaders from the North serves up a cheeky, brash cavalcade of flamboyant and outrageous personalities and characters that graphically attest to Canada’s verve and invention in the world of visual storytelling.
Intrepid Warriors
Command and leadership are very personal endeavours. The manner in which an individual commands others and exercises leadership speaks more to the character and personality of the individual in question than it does to the concept of command or leadership in and of themselves. Intrepid Warriors takes an intimate look at a number of Canada’s finest military commanders and leaders during the crucible of war. Collectively, the chapters in this volume offer invaluable insights into different command and leadership approaches, behaviours, and styles. They also reinforce the timeless truth that the character and presence of courageous leaders are critical to military outcomes, particularly during times of ambiguity, uncertainty, and chaos.
The Insubordinate and the Noncompliant
The Unwilling and the Reluctant: Theoretical Perspectives on Disobedience in the Military and The Apathetic and the Defiant: Case Studies of Canadian Mutiny and Disobedience, 1812-1919 are the first two volumes in a series devoted to disobedience issues in the Canadian military. Now with The Insubordinate and the Noncompliant , the trilogy is complete. Military leadership has both formal and informal dimensions. The formal leadership of any organization must ensure that it minimizes the divergence between institutional aims and the actions of informal leaders. When this separation occurs, the result is sometimes mutiny. These incidents of insubordination and noncompliance represent a form of dialogue between military personnel and their leadership. The Insubordinate and the Noncompliant offers a perspective on the Canadian experience with military mutiny in the twentieth century in an effort to provide relevant lessons for today.
Industry in the Wilderness
Filled with photographs, both historic and contemporary, this engaging book looks at the industrial pioneers of northwestern Ontario, and the activities which brought them to the wilderness: surveying, railroading, lumber, gold, bush piloting, transportation, and hydro power. Rasky lets the pioneers tell their own story, through their own reminiscences, and by the monuments they have left behind. Published with the assistance of the Ontario Ministry of Citizenship and Culture, and the Ontario Ministry of Northern Affairs.
In This Poem I Am
In a country in which poetry has been largely private and apologetic, Robin Skelton played the part of poet with grand style: flowing beard, mane of white hair, rings on every finger, huge amulet around his neck, all topped off with a black hat that looked as if it came from a Venetian gondolier but was really picked up at the re-enactment of a Cariboo Gold Rush-era general store in Barkerville, B.C. In this selection of his best verse there are poems of «high» and «low» art, spells and prayers, meditations, shemanic maps, and, in the centre of the book, «messages,» those strange, inspired «gifts» at the core of Skelton’s art. In making the selection for this volume, editor Harold Rhenisch, himself an accomplished poet, has held to the image that Skelton’s themes repeat like the ripples of water spreading out from a pebble dropped into a pool, and has attempted to bring together the best ripple from each dropped pebble.
In Their Own Words
Winner of the 2002 National Choral Award for Outstanding Choral Publication They are at the heart of every community in Canada, whether they be singing in concert or rehearsal, in a worship service or at a special event. They are Canada's choirs, and their dedication to their craft is a source of both entertainment and inspiration. And at the heart of every choir, there is a choir master who, through talent and commitment, brings the voices together. In Their Own Words relates the stories of Canada's most distinguished and innovative choir masters. In their own words, each tells of their life in music, and shares their thoughts on music and the role of the choir. Many of those profiled have gained international recognition, winning prizes overseas. All have helped to bring the vocal heart-pourings of enthusiastic singers to audiences across the country.